故事发生在1945年,弗雷德(达纳·安德鲁斯 Dana Andrews 饰),艾尔(弗雷德里克·马奇 Fredric March 饰)和霍莫(哈罗德·拉塞尔 Harold Russell 饰)是三名刚刚走下战场的军人,即将回到久违的家乡,即将见到久别的亲人,虽然三人的境遇各不相同,但内心中的激动和忐忑却别无二致,分别在即,他么许下了再相聚的约定。
丈夫艾尔的平安归来让米莉(玛娜·洛伊 Myrna Loy 饰)的内心陷入狂喜久久不能平静,带着已经长大成人的一双儿女,四口之家的未来幸福而又光明。弗雷德就没有这么幸运了,不仅父母的状况不容乐观,新婚的妻子也风流成性夜夜出没于欢场之中。对于霍莫来说,战争给自己带来的残疾成为了压在亲人和爱人肩上的重担,在自责和悔恨中,他终日闷闷不乐。约定的日子很快就到来了,此时的三人尚不知,这一次再会即将改变他们的命运。
The storyline tells of how 42-year-old Teresa changes her holiday plans and spends the summer with her mother, Ani. However, living together day and night after so many years is not easy for either of them. Used to living alone, it’s hard for them to agree on even the most trivial of things. Nevertheless, this enforced cohabitation will also bring certain revelations for both o...
A young girl stays with her estranged grandparents in the city while she waits for the results of her audition for an international performance group. Her grandparents welcome her, delighted about the chance to get to know their granddaughter better. While staying at the house, the girl gets to know her uncle, who suffers from a mysterious long-term lung illness and is mainly c...
The year is 1963. A women's liberation movement the size of today's #MeToo movement has been underway for a while, and it's rolling across the Western world like an avalanche. In a luxury flat in central Copenhagen we meet one of the period's biggest female writers, Tove Ditlevsen, accompanied by her husband, the sadistic editor in chief Victor Andreasen. Her talent is indisput...
When a favored incumbent suddenly suspends his candidacy for Congress, an embittered but brilliant campaign strategist is lured out of retirement and convinces Reverend Dave Hill to run for office. The race pits them both against formidable opponents from their past, each with plans to inexorably remove religion's influence on public policy. Set against a backdrop of unprecedented political, civil and spiritual unrest, Dave struggles to answer an increasingly relevant question of our time: Is God dead in American politics?
Art as propaganda and propaganda as art: Joseph Goebbels understood early on that film is an important weapon of ideological warfare. The images that resulted continue to shape our perception of the Nazi era today. FÜHRER UND VERFÜHRER pulls back the curtain on the inner workings of power and alternates between dramatized scenes, archival footage, and eyewitness accounts.