卡尔·韦弗(史蒂夫·卡瑞尔 Steve Carell 饰)人到中年,中年危机如约到来——妻子艾米丽(朱丽安·摩尔 Julianne Moore 饰)提出离婚,令他面对儿女不知所措。重回情场的卡尔发现自己已经脱离男欢女爱的时代了,幸而遇到泡妞高手雅各·帕尔默(瑞恩·高斯林 Ryan Gosling 饰),帮他重整行头,教他当今最时髦的方法俘获女人芳心。卡尔重战情场了,反而是雅各遇上感情烦恼,他遇见一个叫汉娜(艾玛·斯通 Emma Stone 饰)的姑娘,令他发现真爱原来和招数、游戏根本无关,他不再在意是否“泡到”她,宁愿和她聊一整夜。女人缘变好的卡尔渐渐发现家庭仍是自己最大牵挂,雅各渐渐发现自己愿意为汉娜放弃花花公子的日子,加上卡尔13岁的小儿子也开始情窦初开为爱烦恼,爱有多疯狂,又有多愚蠢,在汉娜邀请雅各回家吃饭的那刻,终于见了分晓……
The storyline tells of how 42-year-old Teresa changes her holiday plans and spends the summer with her mother, Ani. However, living together day and night after so many years is not easy for either of them. Used to living alone, it’s hard for them to agree on even the most trivial of things. Nevertheless, this enforced cohabitation will also bring certain revelations for both o...
A young girl stays with her estranged grandparents in the city while she waits for the results of her audition for an international performance group. Her grandparents welcome her, delighted about the chance to get to know their granddaughter better. While staying at the house, the girl gets to know her uncle, who suffers from a mysterious long-term lung illness and is mainly c...
The year is 1963. A women's liberation movement the size of today's #MeToo movement has been underway for a while, and it's rolling across the Western world like an avalanche. In a luxury flat in central Copenhagen we meet one of the period's biggest female writers, Tove Ditlevsen, accompanied by her husband, the sadistic editor in chief Victor Andreasen. Her talent is indisput...
When a favored incumbent suddenly suspends his candidacy for Congress, an embittered but brilliant campaign strategist is lured out of retirement and convinces Reverend Dave Hill to run for office. The race pits them both against formidable opponents from their past, each with plans to inexorably remove religion's influence on public policy. Set against a backdrop of unprecedented political, civil and spiritual unrest, Dave struggles to answer an increasingly relevant question of our time: Is God dead in American politics?
Art as propaganda and propaganda as art: Joseph Goebbels understood early on that film is an important weapon of ideological warfare. The images that resulted continue to shape our perception of the Nazi era today. FÜHRER UND VERFÜHRER pulls back the curtain on the inner workings of power and alternates between dramatized scenes, archival footage, and eyewitness accounts.