Looking for work, Aaron comes across a cryptic online ad “$1,000 for the day. Filming service. Discretion is appreciated.” Low on cash and full of naiveté, he decides to go for it. He drives to a cabin in a remote mountain town, where he meets Josef, his cinematic subject for the day. Josef is sincere and the project seems heartfelt, so Aaron begins to film. But as the day goes on, it becomes clear that Josef is not who he says, and his intentions are not at all pure.
In the backwoods of Ontario lies a town called Kinmount. This little hamlet of only a few hundred residents no longer has a gas station or a school; however, thanks to the singular vision of local septuagenarian Keith Stata, what it does boast is a five-screen cinema palace and memorabilia museum—one that welcomes upwards of 50,000 visitors every summer.
Follows the horrific event that has captivated the public's attention for almost 50 years, as well as a more comprehensive narrative about Los Angeles, the American dream, and the situations in which justice might or not be effective.