Triumphs and Laments documents one of contemporary artist William Kentridge’s most ambitious and controversial projects a colossal frieze along the banks of the Tiber river in Rome portraying the glories and tragedies of the Eternal City that was commissioned in the summer of 2016. The film, shot with exclusive access to Kentridge over the course of two years from his home in South Africa to the center of Rome, details the artist’s vision and his creative process in developing a work of art that will disappear in just a few years.
路易丝(麦肯兹·戴维斯 Mackenzie Davis 饰)一家人受邀前往与世隔绝的乡间小屋度假,却在各种诡异细节中发现了惊悚秘密——沉默不语的男孩(丹·休格 Dan Hough 饰)、心怀鬼胎的夫妻(詹姆斯·麦卡沃伊 James McAvoy、艾斯琳·弗兰乔茜 Aisling Franciosi 饰)……温馨出游惨变惊骇噩梦,杀机暗藏,步步紧逼,深陷迷局,如何自救? 影片翻拍自同名丹麦电影。
When a favored incumbent suddenly suspends his candidacy for Congress, an embittered but brilliant campaign strategist is lured out of retirement and convinces Reverend Dave Hill to run for office. The race pits them both against formidable opponents from their past, each with plans to inexorably remove religion's influence on public policy. Set against a backdrop of unprecedented political, civil and spiritual unrest, Dave struggles to answer an increasingly relevant question of our time: Is God dead in American politics?
Art as propaganda and propaganda as art: Joseph Goebbels understood early on that film is an important weapon of ideological warfare. The images that resulted continue to shape our perception of the Nazi era today. FÜHRER UND VERFÜHRER pulls back the curtain on the inner workings of power and alternates between dramatized scenes, archival footage, and eyewitness accounts.
The story of a group of teenagers in small town Texas who unleash a deadly force after playing the famous game in an abandoned house where a grisly massacre once took place.
A thrilling physical journey that allows an approach to the darkness, where it is scary to look. It appeals to the viewer's civil responsibility and forces them to face the limits of their own solidarity.
A thrilling physical journey that allows an approach to the darkness, where it is scary to look. It appeals to the viewer's civil responsibility and forces them to face the limits of their own solidarity.